Nothing can turn folks off your content quicker than poor audio quality! You could offer up life-changing tips in a beautifully filmed setting, but if it sounds like you’re recording on a potato, your content is destined to struggle.

In 2025, computers and smartphones do a fantastic job at helping us record pristine audio, especially when paired with gadgets like USB audio interfaces, XLR mics, or wireless lavalier clip-on setups. But if you’re looking for the most robust, reliable, and dedicated way to capture the spoken word in all its high-fidelity glory, then you need a digital voice recorder.

Best Digital Recorders For Podcasters, YouTubers, & Content Creators

In this guide, I’ll help you choose the best digital recorder for your needs and budget. These picks come from over 15 years of testing and real-world use. You’ll notice a lot of Zoom models because they’ve made many great ones (and we’ve owned most of them in our studio), but they are not the only brand worth considering. You’ll also find excellent options from Tascam, Rode, and others.

Some of the links in this guide are affiliate links. We only recommend products we’d use ourselves, and buying through these links helps support our free content at no extra cost to you.

Alright, let’s get into it…

Zoom H1essential

Cost: $110

It feels like the Zoom H1 has been around forever, and the H1essential is the latest update to Zoom’s classic pocket recorder. It packs a lot of quality into a small and affordable package, now offering 32-bit float recording, which means you are far less likely to ruin takes with clipping or distortion. It is light, portable, and simple to use, making it perfect for beginners or anyone who wants something small enough to keep handy for spontaneous interviews or ideas on the go. You won’t get XLR inputs at this price, but as a starter recorder, it’s a brilliant way to step into the world of podcast audio.

Check out the Zoom H1essential on Amazon

Tascam DR-05XP

Cost: $110

Tascam’s DR-05XP brings their well-respected audio pedigree to the entry-level range, with the bonus of 32-bit float capture and a USB-C connection. The next evolution of the old Tascam DR-05, the DR-05XP is a handheld recorder with built-in stereo mics that perform well for voices and general ambience. Its straightforward layout means you can get up and running quickly without lots of fiddling in menus. Like the H1essential, it doesn’t have XLR inputs, but for its low price, it offers excellent recording quality and reliability.

Check out the Tascam DR-05XP on Amazon

Micro-Speak Plus

Cost: $75

The Micro-Speak Plus was designed for blind and low-vision users, which also makes it accessible for beginners, kids, or anyone who wants a simple setup. Matthew recently tested it with the help of his four-year-old daughter and was impressed by its design, features, and sound quality. It doesn’t support external microphones and records in a compressed format, so it won’t satisfy audio purists. But the sound holds up well, and it’s an accessible, budget-friendly option for many podcasters.

Check out the Micro-Speak Plus on Amazon

Zoom H1 XLR Handy Recorder

Cost: $150

If you liked how Zoom upgraded the H1 to the H1essential, look what they’ve done this time round. With “XLR” in the name, this will come as no huge surprise, but it comes with two proper XLR/TRS inputs. The H1 XLR also has phantom power, so you can plug in studio mics and capture high-quality sound wherever you are. It records in 32-bit float, which means you no longer need to stress over gain settings or clipping, and accessibility has also been a big focus, with voice guidance and tactile buttons making it easy for anyone to operate!

Check out the Zoom H1 XLR on Amazon

Zoom H2n

Cost: $150

Matthew’s first-ever Zoom recorder was the venerable Zoom H2. That was so long ago that even its successor, the H2n, was released almost 15 years ago. The H2 and H2n have been long-time favourites among podcasters, conference attendees, and field recordists. Both models are incredibly flexible for capturing all sorts of content, from panel discussions to sound effects.

The H2n doesn’t have XLR inputs, so you’re limited to the onboard mics, but they are excellent for the price, and it remains one of the most versatile grab-and-go recorders available today.

Check out the Zoom H2n on Amazon

Zoom PodTrak P4

Cost: $170

Another one of Matthew’s picks, the PodTrak P4 is purpose-built for podcasters, and it really shows. It offers four XLR inputs, four headphone outputs with individual volume control, and handy sound pads for music or effects. It even has mix-minus built in, so you can record remote guests or phone calls without worrying about echoes or feedback.

Despite all these features, it’s still very affordable and portable, running on batteries or USB power. The trade-off is that it doesn’t have any built-in mics, but if you already have or plan to buy external microphones, the P4 is one of the easiest ways to record a multi-person podcast on the move.

Check out the Zoom PodTrak P4 on Amazon

Zoom H4essential

Cost: $220

My Zoom H4n served me well for many years, and the range is still going strong today. Like the H1, it has had a few iterations since 2007. The latest model, the H4essential, continues to deliver reliable, good-sounding recordings at up to 32-bit float. This recorder combines a pair of high-quality onboard mics with two XLR inputs that provide phantom power for external microphones.

I would take this on the go with me to events and conferences, but it also doubled up as a USB audio interface when I was recording back in the studio.

Check out the Zoom H4essential on Amazon

Zoom H5

Cost: $250

We both upgraded to the Zoom H5 around 2015 and loved its interchangeable capsules, which let us swap between mic types (like the SSH-6 shotgun). It also has two XLR inputs with phantom power for plugging in studio mics. Like the H4n, it’s a superb all-rounder, equally at home in a portable kit or a studio setup, and the fact it’s still widely recommended years later speaks volumes. One small downside is that after about a decade, the rubber coating can start to break down and perish, though this can apparently be fixed with alcohol. That’s probably not a sentence you expected to read in this roundup, is it?

Check out the Zoom H5 on Amazon

Zoom H6essential

Cost: $330

There was a funny period in podcasting between around 2013 and 2018 when creators became obsessed with multi-mic setups. The more mics, the better. And if you could record them all on separate channels, then that truly was the Holy Grail. We added an H6 to our studio setup somewhere along the way and marvelled over just how many people we could potentially record.

Last year, the new H6essential added 32-bit float recording and some other modernised features like USB-C connection. The H6 is bigger and heavier than the H5, but the ability to record six individual tracks at once makes it invaluable for podcasters working with larger teams or casts.

Check out the Zoom H6essential on Amazon

Tascam Portacapture X8

Cost: $400

There’s more to the digital voice recorder world than Zoom’s various offerings. Tascam’s Portacapture X8 is a high-end handheld recorder that combines pristine sound with a modern touchscreen interface. It can record up to eight tracks simultaneously at 32-bit float and 192 kHz, delivering extremely detailed and distortion-free audio.

The X8 is as comfortable in the field as it is in the studio, and its versatility makes it appealing to podcasters, filmmakers, and sound designers alike. It is not the cheapest option by any means, but if you want to invest in a recorder that captures professional-grade audio in almost any setting, the X8 is hard to beat.

Check out the Tascam Portacapture X8 on Amazon

Rode Rodecaster Pro II

Cost: $595

The Rodecaster Pro II is where the digital recorder meets the more traditional mixer or soundboard. This has been the hub of my podcasting setup for many years now, and it’s often described as the ultimate podcast studio in a box.

The Rodecaster offers four high-quality XLR inputs, multi-track recording, sound pads, Bluetooth connectivity, and seamless integration for remote calls. The big colour touchscreen makes setup and operation straightforward, while its processing tools and effects mean you can polish your sound without any extra gear. It’s not exactly pocket-sized, but for podcasters who want a dedicated hub that can handle everything from recording to live streaming, the Rodecaster Pro II is a powerful and well-designed solution.

You can also pick up the Rodecaster Duo (designed for recording two people, would you believe?) for under $500.

Check out the Rode Rodecaster II on Amazon

Mackie DLZ Creator

Cost: $800

Mackie’s DLZ Creator is another all-in-one podcasting studio, with a larger footprint and an emphasis on ease of use. Its sizable touchscreen and “AutoMix” features guide beginners through the process of recording professional-sounding audio, while still offering plenty of control for experienced users.

The DLZ offers multiple mic inputs, headphone outputs, and advanced routing options, making it suitable for everything from solo episodes to full panel shows. It is more expensive than the Rodecaster and takes up more desk space, but for podcasters who want a feature-rich, intuitive workstation, it is an impressive piece of kit.

You can also opt for the Mackie DLZ XS, a more compact version, for around $500.

Check out the Mackie DLZ Creator on Amazon

Summary: Best Digital Recorder For Podcasting

Alright, let’s quickly summarise with a few takeaway recommendations.

When it comes to choosing the best digital recorder, there’s no getting around it that budget will be a huge factor for most.

The Micro-Speak Plus is the cheapest in the roundup, and although it’s perfect for folks seeking pure simplicity and maximum accessibility, the audio limitations might put many off. If you want minimal spend but studio-quality audio, opt for the Tascam DR-05XP.

If you’re looking for an all-rounder workhorse, while still keeping an eye on spend, then you can’t go wrong with the Zoom H4essential.

If you’re looking for a real top-tier recorder, then the Tascam Portacapture X8 or Zoom H6essential are hard to see past.

And, if you’re venturing into the realm of all-in-one podcast recorders, the Zoom PodTrak P4 is the affordable option. After that, choose how many hundreds you’d like to spend on one of the various Rodecaster or DLZ Creator models!

Ready to Record Your Podcast?

A digital voice recorder is only one of many ways to record brilliant audio for podcast or content creation.

If you’re looking for software rather than hardware, then check out our Best Podcast Recording Software roundup. Or, take a look at our How to Record a Podcast guide if you’d like to start with the very basics.

Many of the digital recorders mentioned in this roundup can run external XLR mics, too. Here’s our Best Podcast Microphones roundup, where we list our top recs, along with pricing, sound samples, and our musings on each.

Finally, if you’re looking for the perfect place to make your podcast, then check out Alitu. An all-in-one podcast maker software, Alitu records solo or calls, automatically cleans, levels, and optimises your audio, provides filler word removal and text-based editing tools, and you can publish directly to Apple Podcasts, Spotify, and beyond. Try it out free and see what you think!

Laptops are compact, mobile, and can offer similar specs to introductory PC computers. Our best PC for podcasting guide is worth a look (even if you’re in the market for a laptop) because it also covers hardware specs and what they all mean. All that information will be relevant for laptops, too.

And quick heads up to say that we use the odd affiliate link, which helps to support all of our free content!

Let’s dive in…

What Am I Looking for in a Laptop for Podcasting?

The brand doesn’t really matter.  It’s what’s under the hood that counts. 

At a minimum, I would recommend 16GB of RAM, a six- to eight-core processor (Intel or AMD, which doesn’t matter) with a minimum base speed of 2.8 GHz.

Laptops typically come with “bloatware” that is proprietary to the company you are buying from. Some serve a useful/crucial purpose… some, not so much.  Pre-built PCs have this to an extent, and custom-build PCs have minimal.

How Does a Laptop Differ From a Desktop PC?

There are unique parts specific to laptops, such as trackpads, batteries, built-in keyboards, and manual extra fan controls (more on gaming laptops). Each feature that is required for the laptop to function eats up a piece of the finite resources, on top of the operating system itself (including Wi-Fi and Bluetooth functionality), before you even install an extra piece of software!

At a minimum, for podcasting, you will be using a DAW, USB mic or an interface/XLR microphone combo. The DAW software and drivers for either a USB mic or for the interface all eat into the resource pool shared by everything else.

Don’t Skimp on Power

The laptop I am using to write this article with is an eight-core 3.20GHz (Processor) with 16 GB of RAM. Running the machine idle uses 33% of my RAM.  Windows 11 is a fair bit more “gluttonous” than its predecessor, Windows 10. If you want to run audio software of any kind, don’t get an underpowered laptop unless you enjoy pulling out your hair with CPU overload messages.

This is just food for thought – you need to be a bit more resource-aware on a laptop.

Can I Use a Gaming Laptop to Podcast?

Yep, this can be a great choice!

If you don’t want to spec out a laptop yourself, you can always opt to invest in a laptop that’s marketed as a gaming laptop. You won’t have to worry about performance issues for podcasting when it’s under a higher processing load. These machines are built to perform FAST and come with SSDs (solid-state drives – i.e., super-quick hard drives).  An SSD can significantly enhance the performance of a laptop.

In 2025, it’s probably best to avoid HDD (hard disc drive). Since these are mechanical with moving parts, they are more prone to failure. Also, since parts are moving, that just adds to the noise.

These are a bit more expensive. “Budget-friendly” gaming laptops still start at around $900. These models typically go on sale on the regular too.

Gaming Laptop Recommendations

The few brands to check out for gaming laptops are:

• MSI: Check out a range of options here
• Asus: Check out options here
• Alienware: Check out options here

I’m currently rocking an Asus Vivobook Pro 15 OLED as a replacement for my MSI laptop, which was a bit more budget-friendly on a hefty sale. My only gripe is that the fan is a bit louder than I’d like, even for a laptop, but it performs well!

Entry-Level Laptops for Podcasting

Gaming laptops are, understandably, a financial step too far for some podcasters. You can most definitely opt for an entry-level laptop, depending on the software you use (more on that below!). These usually start around $300. 

If you’re going budget, try to look for at least 8GB of RAM and a quad-core processor with a base speed of 2.6GHz. This has become more common in entry-level laptops, but it might mean you have an HDD, rather than an SSD.

Having an HDD as the laptop’s hard drive can sometimes result in buffer issues (clicks, pops, and sometimes dropouts in a recording) as it’s not taking full advantage of the CPU’s speed.

Here are a few things to think about, if you’re podcasting on a more budget laptop

• Use a fully online recording and editing solution like Alitu. This is browser-based and requires a much less powerful laptop to run.
• Alternatively, opt for a lower-resource recording package, such as Audacity or Reaper.
• Save often (you should anyway)
• Set up backup save files when able in your recording software
• Only run what is absolutely necessary (you may not want to have 10+ tabs open in your browser while recording!)

Budget-Friendly Laptop Recommendations

Brands to look at for a budget-friendly laptop include:

• HP: Options here
• Dell: Options here
• Lenovo: Options here

Colin’s Laptop Recommendations

I go through laptops far too fast – too much desire for the shiny new thing Here are a couple of recommendations based on what I’ve used and loved over the past few years

1⃣ Lenovo Legion 7i

Any of the legion models will serve you well. They’re beasts for gaming, but pretty high budget. I’m working on the linked model right now.

2⃣ ASUS ROG Zepherus G14

I loved this laptop… pretty small and light (way more portable than my current Legion 7i) but still really powerful. Here’s one with a great spec, currently on sale. But go higher or lower on spec in the ROG range to suit your budget.

Have fun!

Upgrading a Laptop for Podcasting Purposes

Sometimes you can upgrade parts in a laptop.  Here, you might pick up a cheaper model and swap out certain parts.  If you want to go this route, you’ll want to make sure that the CPU is good quality as this is one component that usually cannot be swapped.  Remember, look for minimum six-core 2.8GHz.

Before attempting an upgrade, make sure the laptop can be altered in this way. Some can’t. If you’ve never done this before, consult your local computer store to see if a laptop can be upgraded, what parts are compatible, and for installation assistance, as much can go wrong

Can I Podcast on a Chromebook?

Chromebooks have become increasingly popular over the past few years. They can be great value laptops that are still quick and slick to work on.

The trouble is, they have their own operating system, which is neither Windows nor Apple OS, so quite a few standard audio editing packages won’t run on them. For example, the entire Adobe suite can’t run on a Chromebook, so that counts out Audition as an editing package.

The easiest solution to this is to go with a browser-based recording and editing package. These are often optimised for the Chrome browser, being the most popular on the market, and so they run perfectly on Chromebooks.

One option is The Podcast Host’s Podcast Maker app, Alitu, which includes call recording, audio cleanup, audio editing, episode building and podcast hosting. That’s everything you need to run your show, and it’ll all work perfectly on a Chromebook.

There are alternatives, too, all of which work great in a browser. For a full roundup, read our Best Podcast Maker Apps guide.

Cooling Solutions Specific to Podcasting

This is super important in a laptop, especially when working on heavy media-based processes. The warmer the internal temperature, the more likely the machine’s performance capabilities can be “throttled”, aka: unable to perform at peak performance. 

Any time a laptop comes under a heavy load using lots of processing power to run, the internal temperature will increase. Recording and editing are prime examples that cause temperature spikes.

To lessen this, you may need to:

• Swap out better cooling paste for the CPU – the stock out-of-box paste sometimes isn’t the greatest and, over time, degrades
• Place the laptop on a cooling pad
• Ensure the fan vent isn’t blocked
• Occasionally, clean out dust internally with compressed air

Make sure your CPU can be accessed to change the cooling paste. Consult your local computer store for assistance so you don’t break anything! A Laptop’s internal parts are very delicate, and what you can do with them varies by model and manufacturer!

Noise

Whether you opt for a gaming laptop or an entry-level one, the internal fan will likely ramp up, creating a significant level of noise. Noise and audio do not mix well! But, luckily for you, laptops are mobile! If you’re adding fans and cooling pads to protect the health of your machine, you can always have a longer cable run.  This won’t work with a USB mic setup, however.

If you are using an interface/XLR mic combo, it is much easier to place some space between you and the laptop to let the cooling protection do its job. You can set your recording levels and control the computer wirelessly using a keyboard, mouse, and via a tablet as a silent display.

Conclusion: Best Laptops For Podcasters

It’s tricky to recommend an extensive list of laptops for podcasting since there are hundreds of models to pick from. But here are some top-level takeaways:

For gaming laptops, anything made by MSI, Asus, or Alienware is worth your consideration. HP, Dell, and Lenovo are brands worth a look in the budget podcasting laptop category, too.

I currently use an Asus Vivobook Pro 15 OLED, and Colin recommends both the Lenovo Legion 7i and the ASUS ROG Zepherus G14.

Armed with the information and resources in this article, you should be better equipped to make a decision on which route you can take based on your personal needs and budget. Check user reviews, as well, and you should be able to narrow down the perfect laptop for your podcasting needs.

And once you’re kitted out with a new laptop, don’t forget to take a look at Alitu, The Podcast Maker. It’s a browser-based software, so audio recording and production won’t stretch your valuable computer resources. On top of that, it’s packed full of features for beginners and time-strapped creators alike, from text-based editing to automatic EQ and volume levelling!

When deciding what computer or laptop to get to produce your podcast (or any audio), a lot depends on what DAW (digital audio workstation, or audio editing software in plain English!) and plugin software you use.

Often, upgrading the computer you already have will be fine. But what if you need to buy again from scratch? Let’s take a look at how I think about buying a great audio production computer.

A quick heads up before we get started: we use some affiliate links, which help support all our free content. If you want to skip ahead to our best computer for podcasting recs, then I’ll catch you down there!

What’s the Difference Between a Laptop & Computer for Podcasting?

I got into the nuances of choosing a laptop for podcasting in our dedicated article. But how do you decide between a laptop and a desktop PC? What’s the difference?

Generally, a desktop PC can be custom-built or pre-built (those from the store are ready to go) and will have more resource power and the ability for future upgrades as they arise, or when the funds are available to do so. 

With a laptop, there are not many parts that can be replaced should they fail. This affects upgrades, too.

I like to call building desktop PCs “future-proofing”, due to the customization ability.  However, the key factor to always keep in mind is that all parts must remain compatible with each other – see your local computer shop to check compatibility before purchase.

Why Choose a Desktop PC for Podcasting?

As mentioned earlier, you can generally get a more powerful machine in a desktop compared to a laptop.  You can also upgrade it slowly to make it more of a workhorse. 

Often, once you start getting into production on a laptop, the recording process itself can cause a fan to rev like crazy, which means it gets into your recording and makes it noisy.  I can’t tell you the number of times I’ve come across this in audiobook recordings from laptops that ruined the performance with excessive fan revs.  Plugins in editing can also be resource-hungry, meaning they need heavier performance from the CPU and RAM.

A DAW such as Audacity or Reaper may not be as resource-intensive, but you need to keep in mind that several other processes and programs must be running at all times, even with the Operating System alone. Add to that others, such as having a browser open, extensions, and anti-virus software, and the resource pool can run out pretty quickly these days, even on an 8-gig RAM computer.

Lastly, if you invest in a desktop PC, and if you’re a gamer, your machine can multitask in your downtime!

Desktop PC for Podcasting Resources

When I use the term “resources”, I’m talking about the symbiotic relationship that the RAM and the CPU share.  Back when I was new to desktop builds, I was under the myth of “the higher the RAM the better off you are”.  This isn’t necessarily true.  Well… it is and it isn’t.  Even if you invest in 64 GB of RAM, if your CPU is “slow” (i.e., not that many cores, and a lower base speed), your RAM won’t be utilized properly. 

This means you can still overload your system, causing it to freeze or crash. This may all sound overwhelming right now ,but don’t fret.

Recommended RAM and CPU

This is a personal preference, but I would recommend a custom build or pre-built machine that has at least 16 GB of RAM and a 6-core CPU like the AMD Ryzen 5 7600 processor, 3.8 GHz, 32 MB L3.  

AMD brings high-performance CPUs at a way more affordable price.  I use them in my custom builds, and I feel they perform nicely. A quad-core CPU is the bare minimum.

Brands like Corsair and Kingston are great for RAM. RAM has come down drastically in price over the years, so if you are going to build a PC, aim for 32 GB if you can.

Other Considerations for a Desktop Build for Podcasting

You don’t need a top-of-the-line video card, but you don’t want to completely cheap out either – I learned this the hard way.  Even though we are working with audio, DAWs (especially when auto-scrolling and using iZotope RX’s editor) are surprisingly heavy on graphic resources, which can impact your machine’s performance.  Learn from younger Sarah’s mistake!

You can also swap out fans in a desktop PC for “silent” fans.  They aren’t truly silent, but much better than the stock fans.  I’ve had good results with Noctua fans.  Just be sure they can fit in the case prior to purchase. My case is huge, and it barely fits.  Again, when in doubt, contact your local computer parts store.  These would be considered a luxury purchase, not a necessity.

If you have the budget, invest in two SSDs – one dedicated solely to the Operating System, and one dedicated to storing files and session files from your DAW.  This will help your machine run more efficiently.  Try to get minimum 1TB – files and installed software add up a lot quicker these days.

The prices have really come down since SSDs first appeared on the market, and watching for sales can help too.  You can start with one and add another later, as long as the case can fit it and the motherboard has the connections to add more.

Check your DAW Requirements to Figure out Your Minimum Spec

The Digital Audio Workstation (DAW) you choose has a huge effect on the computer you need. Remember to check out our podcast editing software article if you’re still trying to choose one for producing your show.

• Pro Tools Studio, for instance, is a resource-intensive program that requires a quad-core processor (Intel i5 or better) to run. For the average podcaster, a Pro Tools-capable system is likely overkill.
• Adobe Audition, by comparison, will run on nearly any system with a multicore processor and 4GB of RAM or better.
• Reaper does not have specifications for its software, and is often said “will run on a potato”.
• Audacity, like Reaper, has quite low requirements, asking for 2GB RAM and just 1GHz processor speed.

A non-DAW option for recording, editing, producing, and publishing your podcast is Alitu. Alitu is a web app, so if your computer is good enough to connect to the internet, it’ll be more than capable of running all of these processes, without the need for additional software.

Check DAW Plugin Requirements

Another factor that determines your computer needs is the requirements of the plugins you use with your DAW. Common plugins like iZotope RX or Ozone require more resources to handle the intensive processing the software does to your audio. Virtual instruments and synths like Kontakt often require more RAM to handle the number of audio samples processed and minimise latency.

What’s Latency?

Latency is a common concern in audio production, and for good reason. But if you follow our CPU recommendations below, it shouldn’t cause any problems.

Latency is the time between the input and output of a sound. It is the difference between when you press a key on your keyboard and hear a sound played from your monitors. It is also the delay between speaking into a microphone and hearing your voice played from your monitors.

Every system has some latency. But as long as the latency is below 20ms, your ears won’t notice the delay.

What to Look for in a Computer for Podcast Production

The two most critical factors that affect your computer’s ability to process sound are RAM and CPU. Other factors, like drive speed, can help, but your memory and processor are the key factors in how smoothly your system, and therefore your DAW, operates.

Memory Considerations

For most podcasters, 64GB of RAM would be overkill. If you do sound design or run a lot of high-end graphics systems or games on your computer, more RAM is better. But for the average user, 16GB of RAM is enough to meet most system requirements and have plenty of space to load stock plugins and audio.

More RAM means more tracks and more plugins.

Processor Speed & Type

Your central processing unit (CPU) is the brain of your computer. It takes data from the system memory and processes the calculations and machine language that allows your computer to perform its tasks.

A faster processing speed means the computer can complete each of its tasks faster. More processing cores are the equivalent of having more than one processor, which means your system is able to process more calculations at once. This leads to less stuttering, lower latency and the ability to handle more powerful plugins on more tracks at once.

Custom Builds Vs Pre-Builds

The information above is helpful if you want to venture down the road of a custom build, and can give you a starting point if you don’t have access to a place that can build one for you. 

The irksome thing with prebuilds is that they can have a few high-quality parts but then “cheap out” on others in the same unit.  A good starting point for prebuilds is to search for “gaming desktop”.  

Best Computers for Podcast Production: Our Recommendations

We’re happy to make some recommendations here, but remember, on something like computers, it’s impossible for us to actually try them all out. We’re basing this on advertised spec and reviews. So, if they work as advertised, they should do the job very nicely!

Budget-Friendly PC Recommendations

Brands to look at for a budget-friendly desktop computer include:

• HP: Options here
• Dell: Options here
• Lenovo: Options here

Gaming PC Recommendations

The few brands to check out for gaming PCs are:

• MSI: Check out a range of options here
• Asus: Check out options here
• Alienware: Check out options here

I also asked founder Colin Gray “If you were buying a new PC for podcasting today, what models would you consider?”

Colin’s Recommendations

I go through computers far too fast – too much desire for the shiny new thing Here are a couple of recommendations based on what I’ve used and loved over the past few years. They’re both laptops, because, like most people, I need to be able to work in a few different places. These two models don’t lose any power despite being in small packages, though!

1⃣ Lenovo Legion 7i

Any of the legion models will serve you well. They’re beasts for gaming, but pretty high budget. I’m working on the linked model right now.

2⃣ ASUS ROG Zepherus G14

I loved this laptop… pretty small and light (way more portable than my current Legion 7i) but still really powerful. Here’s one with a great spec, currently on sale. But go higher or lower on spec in the ROG range to suit your budget.

Have fun!

Common Myths Around Audio Production Computers

Mac v. PC

Mac v. PC is the Coke v. Pepsi of the computer world. At one time, there was a significant division between Mac and PC in terms of capabilities, and especially, available software. However, as Macs picked up the Intel chipset over Motorola and as software programmers began developing more for both OSX and Windows platforms, the differences became less and less meaningful.

Ultimately, the answer to the Mac vs PC question depends on user preference and budget. If you are already a PC or Mac user who is satisfied with your operating system, there’s no real gain to switching between them.

You can opt to buy an Apple computer for the first time, but they are definitely on the pricey side.  Currently, there are some software compatibility issues with their M1 technology.  As a personal opinion, I’d hold off while more software developers catch up and iron out the kinks, since it is very new tech.

Is Pro Tools the Industry Standard?

Yes! And no! It all depends on the industry.

For the music recording industry, as well as film and TV, Pro Tools is hands down the most common software you will see in studios around the globe.

If you produce EDM, you’re more likely to work in Logic or FL Studio. If you work in gaming sound, the standards are murkier, with some working in Pro Tools, and some working in some other DAW of their choice.

Across the board, I am seeing more and more sound designers make the switch to Reaper. And in podcasting, no standards for software choice currently exist.

More and more, like the Mac vs. PC argument, the tools you use to create your podcasts or music are largely dependent on personal choice and the needs of your production.

Again, check out our Best Podcast Editing Software roundup for a full range of options here.

DAW Alternatives to Save Resources

Whether you’re running a PC from 1998 that can barely process a Word doc within an hour, or if you’re intimidated by the thought of learning DAW-based audio production, then be sure to check out Alitu

Alitu is a podcast-making app designed to make recording, processing, editing and publishing as simple as humanly possible. It enables users to create and publish a podcast without knowing the slightest thing about audio production.

Whether you record inside Alitu or import your audio from elsewhere, its production tools do all the cleaning up and volume levelling for you, automatically.

Podcast editing is made simple with the episode builder’s drag-and-drop features. Alitu auto-generates transcriptions, and you can delete text in those, which deletes the matching audio in your recordings. There’s even an automatic filler word and silence remover tool.

To top it all off, you can publish directly to Spotify, Apple Podcasts, and dozens of apps, directories, and platforms directly from the Alitu interface.

Alitu is completely browser-based, so it won’t drain on your computer’s valuable resources like some other DAWs can. Even Apple are apparently impressed, having mentioned it during their recent WWDC keynote!

Best Computer for Podcasting: Conclusion

This is based solely on personal experience, but if you are in the position to budget or save for a custom build, then this is the way to go for the best bang for your buck.

Here, you’ll have little to no manufacturer bloatware eating your processing resources, and part replacement is much easier, too.  Many computer parts stores can help you select and assemble parts.

You can do prebuild, but READ, READ, READ all their spec charts, research reviews from multiple sites, and double-check if they can be upgraded or modified. You can end up with a nice machine, but it may take a bit more research on your end. Hopefully, with the information provided here, you can make a better-informed choice.

Think of a desktop PC as a long-term investment.  You don’t need to drop a ton of money, but if you go down this path, make sure you start with a sturdy foundation!

Not sold on a desktop computer or PC? Then maybe a laptop for podcasting is a better option for your own needs and budget.

There are only so many ways to review microphones, and I’ve reviewed billions of them over the past decade.

And then, just as I have a fleeting thought of “Would anyone know if ChatGPT wrote this for me?” along comes a mic that actually does something different!

A quick heads up: we use some affiliate links in our reviews to help support all of our free content. We earn a small commission should you choose to buy through them, though never at any extra cost to you. We also received the MV7i on a loan from Shure for review purposes.

What’s So Unique About the Shure MV7i?

During my years as an audio gear reviewer, here’s how things have almost always worked:

• Option 1 – get a USB mic and plug it straight into your computer.
• Option 2 – get an XLR mic (or two) and run it through a USB audio interface plugged into your computer.

USB audio interfaces can be great bits of gear, but they are very single-purpose. They don’t record the audio, and they don’t store the audio. These are the jobs of your mic and computer, respectively.

Shure reinvented the wheel here by taking the role played by a USB audio interface and turning it into a USB mic.

Now, you can simply plug it in and hit record, just as you would with any other USB mic. Or, you can plug a second (XLR) mic into the Shure MV7i, and it runs both as if you had a USB audio interface.

The Shure MV7i as a Microphone

The original Shure MV7 was voted the third most popular mic in podcasting, according to our 2024 Podcaster Gear Survey.

In 2024, the MV7 was succeeded by the Shure MV7+, which quickly became another popular quality option for podcasters.

The Shure MV7i is part of the same family. It looks very similar to the other two, though it doesn’t work in XLR form (the other two could be plugged in via USB or XLR). It can run an additional XLR mic through it, but can’t act as one itself.

The MV7i has the same Digital Signal Processing as the MV7+. DSP refers to the various ways a microphone captures sound, impacting factors such as noise reduction, equalisation, and echo cancellation.

The fact that the MV7+ is such a great mic bodes well for the MV7i, and the fact that the latter doubles up as a USB audio interface makes this a powerhouse piece of kit.

The MV7i as an Audio Interface

You could buy the Shure MV7i purely as a USB mic, though it would be an expensive one if that’s all you did with it. At this price point, buyers will be leaning into its unique audio interface-style capabilities.

Have a guest or co-host visiting the studio? Grab an XLR mic, connect it to the Shure MV7i, and you’ll be all set to record on your own individual mics.

The XLR input is a Combo jack, meaning it can also take a 1/4″ TRS plug. This type of connection is more common in music than podcasting, but if you’re talented enough to sing and play the guitar, you can record each on two different tracks.

The MV7i, in its audio interface costume, offers a respectable +60dB of gain to help those quieter mics be heard, and 48v Phantom Power will run any XLR condenser mics at your disposal, too.

The MOTIV software acts as a digital mixer, allowing you to access all the settings for each mic, and you can also record directly inside there, too.

Comparable Setups

$349 is a lot of money, but how does it compare to buying an audio interface and two mics instead?

My favourite USB audio interface is the Focusrite Scarlett 2i2. Now in its 4th Generation, this would cost you about $200, brand new. That’s already more than half the cost of the MV7i.

Next, I’d need two mics. Our most recommended entry-level mic is the Samson Q2U – brilliant value at $70, but for two of them, that’s another $140. So we’re now less than $10 short of the MV7i asking price.

Of course, buying the MV7i doesn’t get you a secondary XLR mic, so this setup assumes you already have one. $350 will get you the MV7i, but it won’t guarantee you the maximum use out of it.

A Shure MV7+ (the MV7i’s sister mic) costs $279, so two of them would rack up to $558. Adding on another $200 for a standalone audio interface would come to $758!

So even if you needed to buy a second XLR mic (again, the Q2U is less than $70), you can still save a decent chunk of cash here.

How Does the Shure MV7i Sound?

Here’s a wee sound sample of the mic in action, courtesy of a “YouTube Shorts” video (sidenote: in my day, “YouTube Shorts” was a common answer to the question “what should I wear in hot weather?”)

The audio was recorded via a MacBook Air.

The MOTIV software presets gave this a bit of a “radio” sound, which divides opinion among podcasters. But I think it comes across well, and I like the way it presents the Samson Q2U, too.

Summary: Shure MV7i Review

The Shure MV7i is an instantly memorable piece of kit. I’m almost certain that no other USB mic doubles up as a USB audio interface. It’s a clever concept, well-executed, and there are numerous situations where it could come in handy.

With that said, you’ll still need another (XLR) mic to make use of the MV7i in its audio interface form. If you’re starting from scratch and buying all your equipment, a Focusrite Scarlett 2i2 and a couple of Samson Q2Us can cost less than the MV7i alone.

But, if you already have a solid XLR mic and are in the market for a USB audio interface, then the MV7i is well worth your consideration!

There’s a lot of brilliant podcast gear on the market these days. But too much choice can be overwhelming, and often, people will spend a lot more than they need to.

Listen, follow, or subscribe on your podcast app of choice!

Nobody likes to feel ripped off, so let’s look at the cost of podcast equipment based on your unique needs, wants, and budget.

What Podcast Equipment Will I Need?

The type of show you want to run will determine the equipment you need. Here, I’ll look at the different pieces of kit required to record the most common types of podcasts.

A quick heads up, too, that we sometimes use affiliate links when recommending certain products. This means we may earn a small commission if you were to buy through them, though never at any extra cost to you.

With that all said, what podcast equipment do you need, and how much does it cost?

A USB Microphone: $50-$100

A USB mic setup comes with the assumption that you’ve already got a PC/laptop/Mac, and that you’ve installed the audio-editing software Audacity, which is free. Audacity is great if you’re recording a solo show. However, if you’d like to do online/remote interviews or conversations, check out our best call recorder tools roundup.

The quality of USB mics has come on leaps and bounds these past few years. In my opinion, the best overall option remains the Samson Q2U or the ATR2100 because you can also use them with digital recorders and audio interfaces further down the line.

In our 2024 Podcast Gear Survey, the Q2U was found to be the second most popular mic. You might naturally wonder about the most popular—the Blue Yeti—but I don’t think it’s worth paying $90-$110 when you can get the (much better) Q2U for cheaper.

Aside from the mic itself, you just need to plug in some headphones. Yes, you can buy yourself a high-end pair of studio headphones, but you can just as easily use the trusty set of earbuds you have lying around. The Q2U is often found in bundle deals with headphones included.

For the vast majority of people, this is all you need to make a podcast. You can be up and running with an excellent kit for less than $100.

Naturally, there are more high-end USB mic options out there too. The Shure MV7+ or the Rode Procaster will give you top-of-the-range sound quality, but you’ll pay anywhere between $150 and $280 for the privilege. Find out more about them in our Best USB Mics roundup.

But what if you don’t own a computer, or don’t want to be tied to one for recording your podcast? Then, a smartphone setup might be more suited to your needs.

Smartphone Podcast Equipment ($45-$135)

The average smartphone offers many options for recording audio and video. In the short term, you can get away with using it without any additional equipment. Still, if you’re serious about growing an audience, you’ll want to upgrade your audio sooner or later.

We’re well-catered to for affordable smartphone audio now with the BOYA Mini and Rode Wireless Micro. Both setups are pretty similar—you plug a wireless receiver into your phone and connect a wireless transmitter (mic) to your jersey and another to that of your guest or co-host, if you have one.

But if you don’t want to use a computer or a phone, what next?

A Digital Recorder ($100-$400+)

Some podcasters naturally prefer dedicated single-use technology. If you’d rather keep your computer for work and your phone for doom-scrolling, then a digital recorder could be right up your alley.

Lower Cost Digital Recorder Setups

The Tascam DR-05X ($80) and Zoom H1n ($90) are two great entry-level digital recorders, perfect for on-the-go podcasters.

Both have built-in mics, and you can record directly into them, either solo recordings or chats with guests and co-hosts.

Sound quality will always be limited when sharing a mic, and you can optimise this setup by plugging Lavalier mics into the H1 via a splitter, though this can triple your podcast equipment cost.

Higher Cost Digital Recorder Setups

The H1’s bigger cousins, the Zoom H5 and Zoom H6 come in at between $200 and $300 respectively. These recorders are chunkier, more powerful, and can record XLR mics on multitrack. Bear in mind that you won’t pay much less than $100 for each XLR mic you use. Again, you can simply record into the recorder’s built-in mics but this will limit your overall audio quality.

An alternative to the H5 and H6 is the Zoom PodTrak P4. At only $150, the P4 is a cheaper option, and comes with call recording capabilities. On the flip side, it doesn’t have built-in mics, so you’d need to buy at least one XLR mic to make use of it.

Mixers & Audio Interfaces ($85-$700+)

Audio interfaces are the bridge between using XLR mics and podcasting on your computer.

I’ve owned a Focusrite Scarlett 2i2 for about 15 years, and it remains the most popular audio interface among podcasters. Now in its 4th Generation, you’d be looking at about $200 to buy one brand new, or $140 to get the solo (one mic) version.

Focusrite has since released the podcast-focused Vocaster, too. You can get a two-mic version for $110 and a solo version for $85. I really like the Vocaster, and switched to using it after my 2i2 started to die of old age.

Mixers are an alternative to audio interfaces, but they are much less common in podcasting these days. This is because they’re overly complicated tools designed for musicians, and much of their capability can be achieved with much simpler tools (like the PodTrak P4) or software.

The Rode Rodecaster Pro 2 is as close to a traditional mixer as I’d recommend for podcasters these days. It’s the ultimate “all-in-one” podcast recorder, though it doesn’t come cheap—around $690—and that’s before you buy any XLR mics to run into it!

On the other end of the pricing scale, the PreSonus AudioBox USB 96 is a great sub-$100 option. But again, we still need to get some mics…

XLR Mics ($50-$400)

I’ve mentioned XLR mics a lot so far. You might want one (or more) to plug into your digital recorder or audio interface.

Our Best Podcasting Microphones roundup is a deep dive into the top choices on the market right now. Here’s a summary of some options, though.

• Samson Q2U/ATR2100 – sub-$100 and also works as a USB mic
• MXL 990 – sub-$100, great sound, at a low cost
• Shure MV7+ – $280 – one of the best podcasting mics around

Other Bits & Pieces: Podcast Equipment Cost FAQ

You might have some additional outgoings on top of the gear you plan to buy. Don’t worry though, you can keep these additional podcast equipment costs pretty low.

Q: Do I need headphones?

Yes, but you can get away with using the earbuds you already own. If you want to buy a decent set of studio-quality headphones you’d be talking $30-$40, at least.

Q: Do I need a mic stand?

Most USB mics come with desk stands, so you can get set up to record right out of the box. However, you might want to upgrade to a boom arm later on. You can pay as little as $15 for a boom arm, but a word of warning—the really cheap ones tend to be false economy.

Q: Do I need a pop-filter?

Some mics come with a foam windshield, which might see you through in the short term, especially if you’re using a desk stand (which means you’ve nowhere to mount a pop filter). If you’re buying a boom arm or mic stand, it’s worth chucking in a pop filter, too. You can get one for around $10.

Q: What about cables?

If you’re using a USB mic, it’ll come with a cable that plugs directly into your computer. If you want to run XLR mics into a digital recorder or interface, then you’ll need an XLR cable for each one. You can pick one up for less than $15 if money is tight, but it’s worth spending a little more if you’re able.

Summary: How Much Does Podcast Equipment Cost?

Most people don’t need to spend more than $100 on their podcasting equipment. If you’re recording solo or online/remote conversations, a USB mic will suit you.

For the other bits and pieces, if you need them, you can be anywhere from $20 to $100+.

A digital recorder setup can cost $100 (bare basics) to $300+. Running a couple of XLR mics into your computer via a USB audio interface will cost around $300.

Nobody wants to spend more than they need on podcast equipment, so make sure you’re not getting something overkill for your podcasting requirements.

If you’re spending more than $300 on your gear, make sure you’ve got a very good reason for it. Are you certain that you need everything in your shopping cart?

Check out these additional resources as you continue to plan your ideal podcasting setup;

• Full Guide to Podcasting Equipment: What Do I Need, & Why?
• Podcast Software: The Complete Guide From Start to Finish

Putting together the perfect and most cost-effective podcasting kit is something we can help you with in the Podcraft Academy, too. In there, you’ll find video courses, feedback tools, downloadable resources, and a community of like-minded creators. It’s a brilliant place to plan and launch a growth-optimised podcast!

A couple of weeks ago, I reviewed the BOYA Mini, an excellent wee smartphone recording kit alternative to the Rode Wireless Micro.

BOYA seemed enthusiastic about showing us more of their offerings and suggested we take a look at their K9. It took everything in my power not to make a dog-walking joke, and even now, I sort of am.

In any case, the K9 might not be man’s best friend, but it certainly could be a podcaster’s pal. The K9 and K3 are a USB mic duo that make up BOYA’s ‘K’ series, which BOYA kindly posted out to us, free of charge, for review purposes.

So, let’s fulfil our end of the bargain now and get to know them a wee bit more.

The BOYA K9

With its multiple polar pattern options and built-in desk stand, the K9 gives a wink and a nod to the most popular mic in podcasting, the Blue Yeti.

However, while the K9 and Yeti’s multiple polar patterns look good on paper, I don’t think they are all that useful. Sharing a mic is never optimal for audio quality, and I’d only recommend it if you have absolutely no other option.

With the K9, you can opt for bidirectional (two-person use) or omnidirectional (roundtable), but solo-person use on the supercardioid setting will give you the best results here.

During my testing, the K9 sounded pretty decent, though I did find the odd plosive slipping through the wee metal pop filter.

The K9 has a gain dial to control your input recording volume and a monitor dial to set your output headphone volume. I found both to be a little noisy, so going forward, I’d try to set them before I start recording, and never during.

The BOYA K3

The K3 only has one (supercardioid) polar pattern, which is fine by me.

The K3’s USP is its Noise Reduction, which you can activate by tapping the button atop the mic. However, this turns out to be a rather aggressive-sounding noise gate, and I wouldn’t recommend it. Either move away from the noise you’re trying to cut or do some noise reduction in post-production instead.

The K3 has a gain dial, though, like the K9, trying to adjust it during a podcasting session might be noisy enough to be picked up in the recording.

BOYA K3 Vs K9

Both mics have a Frequency Response of 20 Hz – 20 kHz, which is fairly typical.

The K3 has a higher sensitivity (-39 dB), giving it a clearer, more detailed sound, while the K9’s lower sensitivity (-46 dB) makes it warmer with more bass. I did notice that in my testing.

The K9 has a tiny bit more gain (0–27 dB vs. 0–26 dB), but this is marginal.

The K3 has a Noise Reduction feature, whilst the K9 has extra polar patterns, but I wouldn’t use any of these settings. I much prefer them both in their “ordinary” form.

Both mics have LED RGB lighting, which might make them attractive to YouTubers or video podcasters. Personally, LED lighting on audio gear is a bugbear of mine. As someone who’s hopelessly colourblind, I’m always paranoid that it’s trying to convey important information to me (hey, you’re on mute, chump!), and I’ll simply have no way of getting the memo.

Summary: The BOYA K3 & K9 USB Mics

You can get the BOYA K3 for a mere $30, which is as cheap as I’ve seen for a brand-new mic. The K9 costs $65, which, although double the price, still puts it in the budget category. It costs about $30 less than its idol, The Blue Yeti.

Curiously, you can’t buy the K3 or K9 on Amazon (at least at the time of writing). I’m not sure what the thought process is here or whether or not they will eventually be available there. BOYA literally has a “store” on Amazon, so it seems like a no-brainer…

In summary, would I use one of these to podcast? For sure, but only in its cardioid setting (the K9) and definitely without the noise reduction turned on (K3).

Would I buy one as a beginner ahead of something like the Samson Q2U or ATR2100x? No, I don’t think so. That’s no slight on the K3 or K9, but the other two mics can also be used in XLR form, and that gives me the freedom to upgrade to an audio interface or digital recorder further down the line.

Still, BOYA has added a couple of solid options to the starter mic market here, even if they’re not particularly straightforward to find and buy!

The Best Podcast Microphones for All Abilities and Budgets

Read article called: The Best Podcast Microphones for All Abilities and Budgets

So, you really want to start a podcast. You’ve got something of value to say, and you can think of countless topics in your niche that you’d like to cover. There’s just one problem: how do you figure out the best podcast starter kit to fit your budget and context?

It’s easy to be intimidated by pictures of recording studios, mixing desks, and cables running everywhere. But you don’t need any of that to start or run a podcast.

In this post, I’m going to review three common podcast setups covering every potential use case. No matter your budget, space limitations, or intended recording methods, you’ll find something here that fits.

A quick heads up before diving in. We sometimes use affiliate links in our content, which means we may earn a commission should you decide to buy through them (though at no extra cost to yourself!).

And with that all said, let’s take a look at these podcast starter kit options.

Podcast Starter Kit Setups

Here are the three podcast setups we’ll take a look at:

The Smartphone Starter Kit

A simple and lower-cost option for recording solo shows, or local (on-location) co-hosts and interviewees. Jump to smartphone section.

The USB Mic Starter Kit

The most common way of recording solo shows, or remote (online) co-hosts and interviewees. Jump to USB section.

The All-Rounder Podcast Starter Kit

Finally, we’ll talk about a setup that covers all bases. It might cost a little more, but your options, flexibility, and sound quality will be taken to the next level. Jump to ‘All-Rounder’ section.

And remember, if you need help with the rest, check out our full guide on How to Start a Podcast!

The Smartphone Podcast Starter Kit

Your phone is probably the most expensive audio recorder you own, and it can double up as your podcast microphone, too. Sure, it might not sound as good as a studio condenser mic, but most phones have pretty decent mics built into them nowadays.

To record a podcast with your phone, it’s simply a case of finding your ‘voice memo’ or ‘voice recorder’ app, and you’re ready to start your first episode. There are a few free voice recording apps for Android and iOS that will give you a better level of audio quality, too.

• Best Audio Recording Apps for Android
• Best Audio Recording Apps for iOS

Accessorising Your Smartphone

If you’re looking to stick with your phone but want better sound quality and a bit more recording flexibility, there are a couple of great options out there.

Rode Wireless Micro

Plug a receiver into your phone, stick a cableless lav mic transmitter onto your jersey (and your co-host or guest’s jersey!) and recording top-quality mobile audio has never been better or more straightforward. The Rode Wireless Micro is our most recommended smartphone recording kit.

BOYA Mini

The Rode Wireless Micro isn’t expensive for what it does and how it performs, but you can save a fair chunk and still get good quality with the BOYA Mini. It works in exactly the same way as the Wireless Micro.

Rode Wireless Pro

A premium option here is the Rode Wireless Pro, which works with any recording device, not just smartphones. This kit also features “unclippable” 32-bit float technology, meaning an overly loud guest or recording environment won’t ruin your audio quality.

Shure MV5

If you’d prefer a mic that sits on the desk, then the Shure MV5 is a nice option. Priced around $100, this mic works as a USB, iPad, or mobile (iPhone) mic, and it has an excellent level of sound quality.

The USB Mic Podcast Starter Kit

The beauty of USB mics is that they are virtually ‘plug and play’ (or, plug and record, as our case might be) if you’re using a computer, laptop, or Mac.

Connecting a USB mic is no harder than connecting a flash drive. So, let’s look at the best entry-level USB mics out there right now.

Samson Q2U/ATR2100

The Samson Q2U is my personal favourite ‘starter’ mic. At around $70, it’s very affordable and offers a good level of sound quality, too. It also has an XLR connection, so if you ever want to upgrade to a digital recorder or mixer, you won’t need to buy a new mic.

Depending on what part of the world you live in, it can be hard to pick up a Q2U. If this is the case, you might need to look at the Q2U’s “twin”, the ATR2100.

From our 2024 podcast equipment survey

The Samson Q2U is also available in a great podcast equipment bundle deal that’s as good a complete podcast starter kit on the market as I’ve seen.

What About the Blue Yeti or Blue Snowball?

The Blue Yeti and Blue Snowball are popular mics in the podcasting space. If you already own one, it’ll be more than good enough to podcast with. However, if you’re still considering buying a mic, I don’t think they’re necessarily the best value for money. My advice—opt for a Samson Q2U instead. Remember to check out the Q2U podcast starter kit, too.

Other USB Microphone Options

There are many excellent USB mic options on the market these days. If you reckon this route is going to be the best fit for you, and would still like to do some shopping around, then check out our Best USB Mics for Podcasters roundup.

The All-Rounder Podcast Starter Kit

If I were just starting out and had a decent budget behind me, then I’d buy myself a Zoom PodTrak P4. This little device comes in at less than $150, and there isn’t much it can’t do.

You can record multiple guests/interviewees locally, or run remote (online or phone) call recordings. You can also play music, effects, and pre-recorded clips during your episodes. It’ll even act as a USB interface if you want to use it with your computer.

However, to get set up with the PodTrak P4, you’d need to spend more than $150. You’d need at least one XLR mic to plug into it. Each local participant would need a mic; you can plug in up to four. I mentioned the Samson Q2U already as an excellent option, though you might also consider the Shure SM58.

Check out our review of the Zoom PodTrak P4 to get the full lowdown.

Other Podcast Starter Kit Gear

There are a few other bits and pieces potentially worth looking into.

Studio Headphones

For starters, you should definitely use headphones when recording and editing your podcast. The good news is that you can get away with using the trusty set of earbuds you already own, but you might want to upgrade to pro-level podcasting headphones later.

Cables, Stands, & Pop Filters

You may also need kit like XLR cables, mic stands, shock mounts, and pop filters. Take a look at our guide on the cost of podcast equipment to see the best options on that front.

Sound Treatment

The best podcast kit in the world will still sound bad in a poorly-treated environment. Fortunately, doing some basic acoustic therapy doesn’t need to cost very much at all. Here’s how to create a great-sounding podcast studio.

Alternatively, you might consider outdoor podcast recording. Noise doesn’t need to be a negative in podcasting, so long as your voice is crystal clear. The ambience of a park or street can bring an element of vibrancy and life to your content, so never think that you need to be locked in a cupboard trying to eliminate all background noises.

Is There a One-Size-Fits-All Podcast Starter Kit on the Market?

Many aspiring podcasters have asked us if there’s such a thing as a “podcast starter kit” on the market. A one-box solution that’ll equip them with all the gear they need to start and run their show.

This is tricky because there are so many different styles and formats of podcasts out there.

Samson Starter Bundles

So there may be no such thing as a “one size fits all” podcast starter kit, but the Samson Q2U Recording & Podcasting Pack is as close as they come.

This bundle gets you set up with headphones, a desk stand, and cables to use your mic in USB and XLR form. That’s not to mention, the Samson Q2U mic itself!

There’s even a little cloth in there to wipe away your tears of joy once you realise all of this is available for just over $100.

MOVO PodPro-T Bundle

A new podcast starter kit option I tested out recently is the MOVO PodPro-T podcast equipment bundle.

At $300, it’s a significant investment, but you get two quality dynamic mics on stands and a great audio interface that plugs into your computer, laptop, or smartphone.

This makes for an ideal mobile podcast studio for on-the-go podcasters who want microphones in front of them rather than pinned to their clothing.

Check out our full review of the MOVO PodPro-T Bundle for the ins and outs.

What Else Do I Need to Podcast?

I’ve covered many different options for building your own podcast starter kit. Now, we’ll need a few more things to get your podcast off the ground.

Editing Software

Firstly, the good news is that Audacity is completely free and allows you to record and edit your audio. You need audio software like this if you want to make any edits to your recording, or if you want to add intro or outro music. Learning to use Audacity can take a bit of time and patience, but it’s not hard once you grasp the basics.

Automate Production & Make Editing Easy

Thanks to our “podcast maker” tool Alitu, you don’t even need audio software like Audacity anymore, though. Alitu is really simple to use. You can record directly into it (either solo recordings or online calls), and it’ll take care of the processing, editing, and publishing of your podcast for you.

Alitu is ideal for complete beginners who don’t want to learn how to edit – or – experienced podcasters who don’t have time to edit. It even has a text-based editing feature, so if you can compose a text message to your best pal, you can edit a podcast episode!

Alitu doesn’t stop with recording and editing, either. You can upload and publish your podcast there; it has a free music library, and it’ll auto-generate episode transcriptions and show notes for you. It pretty much has everything you need to podcast under one login and subscription. Sign up for a free trial today.

Call Recording Software

This is only required IF you’re doing an interview show with remote guests. If that’s your aim, check out our roundup of the best tools for recording a podcast online. If you just want our top pick though, then you can start using SquadCast from $19 a month. But if you’re going to use Alitu for your editing and production, then you’ll already have access to a call recorder.

Music & Audio Branding

You don’t need music, but it can add an extra layer of professionalism and identity to your content. There are plenty of options out there for finding great music that’s safe and legal to play on your podcast. Here are three of our favourites;

• Shutterstock
• Epidemic
• Envato Elements

Any music you use during the course of your active subscription on these platforms is yours to keep, forever.

You don’t need to spend money buying podcast music, either. If you’re on a tight budget, check out our Free Podcast Music Packs. And again, if you’re using Alitu, you’ll have access to its free music library.

Cover Art

You’ll need cover art to create your podcast and make it available in places like Apple Podcasts and Spotify. Your cover art should be in JPEG or PNG form, and either 1400 x 1400 or 3000 x 3000 pixels.

Here’s our full guide to creating your podcast logo. You can make your own for free using a tool like Canva, or, our designer can create bespoke cover art for you!

Podcast Hosting

Your podcast host is the place where you upload and publish your episode files. Once you’ve created your show on a podcast host, people can subscribe to it and start downloading your content.

Alitu has podcast hosting built-in, so that’s one single login for recording, editing, producing, and publishing your podcast (with many more features, on top of that).

Of course, there are many other great hosting options out there, too. Check out our full podcast hosting platform roundup, if you’d like to do a bit of shopping around. There’s something there for every level and budget.

Podcast Starter Kit: FAQ

In this section, we’ll answer some of the frequently asked questions about podcast setups and starter kits.

Will a Condenser Microphone Give Me Better Audio Quality?

Condenser mics differ from their dynamic microphone counterparts in the way they function and are built. A simplistic differentiation between the two is that condensers are better for recording voice in optimal environments, while dynamics will handle suboptimal conditions more appropriately.

To be honest, either type of mic is more than good enough for podcasting. It’s really how and where you use it that matters. I wouldn’t let whether a mic is condenser or dynamic be a deciding factor in whether you buy a certain mic or not.

Is an XLR Microphone Better Than a USB Mic?

XLR Vs USB is similar to the dynamic Vs condenser debate in that it’s how and where you use a mic that matters most. This time, we’re talking about how a mic is plugged in, and what it’s plugged into. Both of these routes have their advantages.

A USB mic gives you a quicker, simpler setup. An XLR mic, on the other hand, is much more flexible. You can plug it into a multitude of recording devices (even a computer, if you go via a USB audio interface).

Neither is “better” than the other; it’s only what works best for you. For what it’s worth, you find mics that do both. I’ve talked a lot about the budget-friendly Samson Q2U in this post, and that’s one of them!

What About Video Podcast Equipment?

If you’d like to add a video component to your podcast, then check out our video podcasting guide, where we run through some gear and kit options.

Best Podcast Starter Kit: Summary

As we’ve covered, there is no one-size-fits-all podcast starter kit because podcasts come in various styles and formats.

That said, the Samson Q2U Podcasting Pack & Accessory Bundle would be ideal for most folks starting out. Whether you’re doing a solo show, or online co-hosted or interview chats, then this is a great option.

And for folks who want to record guests or co-hosts with their smartphone, the Rode Wireless Micro and BOYA Mini kits are excellent options.

Best of luck getting set up. Remember to check out our full How to Start a Podcast Guide to get everything else nailed down, as well as our Podcast Equipment Kits Guide if you’d still like to do some shopping around.

On the software front, Podcast-Maker tool Alitu offers recording, editing, production, hosting, music, and transcription, all within one easy-to-use interface. Get a free trial with Alitu to see it all in action!

And, that’s not to mention the fact that you don’t need to rely on internet connections, as well as your guest’s environment and equipment (and knowledge of how to best use it!).

Sure, recording in person comes with its own potential issues and obstacles. But these can be minimised by opting for the simplest kit possible.

In this article, I’m going to cover one of the easiest but best ways to record an interview in the field, really concentrating on a balance of cost, simplicity, and quality. Jump straight to it, if you just want the recommendation.

If, on the other hand, you are looking for the best quality premium interview kit you can get, then be sure to check out my Gold Standard In-Person Podcast Interview Equipment series here.

Recording On-Location vs Studio or Online

First off, a quick qualification of what we’re talking about here. There are three main places where you might record an interview:

1. Online, recording remotely
2. In your standard studio, recording in person
3. Out in the field, recording in person

If it’s the online recording you need help with most right now, then check out the best tools on the market for recording remote conversations.

If it’s a studio setup you’re after, take a look at our ultimate guide to podcast equipment and sound treatment.

If it’s the on-location setup you’re most interested in, though, then that’s what we’ll cover right here.

Recording on the move requires a few particular things.

1. Light and portable – you need to be able to carry this kit around, so no bulky mixers, heavy microphones and unwieldy stands.
2. Noise isolation – you might well be recording in a noisy environment, so you need to be able to get the mic up close to the speakers’ mouths.
3. Simplicity – this needs to be point-and-shoot. You won’t have the space or the time to spend 10 minutes setting everything up and testing it to see if it works.
4. Quality – just because we’re on the run doesn’t mean we’ll put up with bad-quality audio. It needs to work!

Luckily, there’s a great setup that meets all of these criteria, and it’s not even very expensive!

The Best Equipment Setup for Recording In-Person

Let’s get straight into it – here’s what you need to record a great in-person interview.

• A recorder – either your smartphone or a dedicated digital recorder
• Two Lavalier microphones

Let’s look at these in turn – the why and the what.

The Microphones – Lavalier or Lapel Mics

The most important part is the mic – this captures your voice and turns it digital, after all.

No doubt, if you’re already podcasting, you’ll have a decent microphone at home. The issue is that most mics are big, bulky, sometimes fragile and usually in need of a stand.

Lavalier (also known as lapel) microphones are the ones you see clipped to a speaker’s shirt buttons or collar. They’re tiny mics that sit about 6 inches below your mouth and do surprisingly well at isolating your voice.

Lapel microphones definitely fit our needs for being light and portable. They’re no bulkier than a little set of earbuds or AirPods.

They’re also good for our second requirement: noise isolation. Because they sit so close to your mouth, you’ll be much louder than the background noise. You’ll get a bit of the background for the atmosphere and ambience, but you’ll still be nice and clear to the listener. And so will your guest!

What Lavalier Microphone Should I Buy?

Time for some actual recommendations, then. Just a quick heads up that we use a few affiliate links here, which help support all our free content, though never at any extra cost to yourself.

Lavaliers have long been used by on-the-go podcasters. In the past few years, we’ve seen them evolve from cabled to wireless models, too.

Wireless options are handier overall – no annoying tangled cables or mic splitter requirements – though you do need to remember to keep them charged.

Simplest On-Location Smartphone Setup

If you’re recording with your phone, there are two great options at different price points: The Rode Wireless Micro and the BOYA Mini.

Both of these kits are very similar. They are made up of two mics (transmitters) that easily and discreetly attach to your clothing. Then, there’s a receiver, which plugs into your smartphone. You can buy a version of each for either Android (USB-C) or iOS (Lightning).

The Rode Wireless Micro is the premium option here. Rode is one of the best in the business when it comes to recording pristine audio, and this is another great addition to their stable.

The Rode Wireless Micro costs about $140, so it isn’t cheap, but it is most definitely brilliant value for what you get, what it does, and how it sounds.

The BOYA Mini is a worthy alternative if you’re on a tight budget. It might lack some of the bells and whistles of the Micro (like the magnetic clips on the mics) and have a couple of questionable settings (‘AI Voice Change’), but it will give you a really solid sound quality for the price point.

Both of these super-handy little kits can be set up and recording in less than a minute. If you want to record into your smartphone to do on-the-go recordings or video podcasts, just choose one of these and you’ll be golden!

BOYA Mini Vs Rode Wireless Micro: Smartphone Audio Made Easy

Read article called: BOYA Mini Vs Rode Wireless Micro: Smartphone Audio Made Easy

Simple Digital Recorder Setups

Not everyone wants to record with their phone. If that’s you, then a digital recorder is a great portable option instead.

Good digital recorders don’t cost the earth, and they make up a pretty useful part of a larger podcasting kit setup anyway, so it’s often worth having one for other reasons, too.

Digital recorders let you plug in external mics, but they also come with their own built-in mics. So you could get by with a digital recorder and nothing else.

On that question, why not use the internal microphone on your digital recorder? Well, because that defies the law of noise isolation. A digital recorder sitting on the table between you is miles away from you and your guest. Having a mic each is much better, drastically improving your audio quality.

A few digital recorders have multiple XLR inputs, but then we’re venturing into the more premium and complicated Gold Standard Interview kit, which I’ve covered in this separate guide.

So, if you wanted a simple digital recorder setup, I’d look at something like the Zoom H1n or Tascam DR-05X, two lavalier mics (like the Rode Lavalier Go), and a splitter to connect them both to your recorder via the recorder’s 3.5mm jack.

However, costs can quickly add up, here (you could be talking about $200 to build this kit), and though this is a straightforward setup, it might not exactly seem “simple” to a complete beginner. So, are there any alternatives?

The Rode Interview PRO: Best Non-Smartphone In-Person Setup

Our pals at Rode come up trumps again here with the Rode Interview PRO. This is a handheld mic with onboard recording, so it’s basically a microphone-shaped digital recorder. And, being a handheld, it’s optimised to minimise handling noise being picked up in your recordings, too.

Of course, sharing a mic with your guest or co-host isn’t without its issues. You see handhelds being pointed back and forth in 1-2 minute interviews after a big football match, but could you record an hour-long episode this way?

With that said, this is really as simple an in-person setup as it gets. Just switch the mic on, point, and talk. If you have any other Rode wireless kit, you can also set it up to record wirelessly, too. But the onboard recordings should serve you just fine, in all honesty.

The Rode Interview PRO costs about $245. See our review of the Rode Interview PRO for the full lowdown.

Simple Setups for In-Person Recordings

In conclusion, then, if you’re recording with your phone, opt for the BOYA Mini or Rode Wireless Micro. And, if you see yourself as the roving reporter type, consider the Rode Interview PRO, instead.

If you need more help, support, or guidance when it comes to podcast tech, or any other aspect of podcasting and content creation, then be sure to join us in the Podcraft Academy. We have in-depth courses, tutorials, downloadable resources and checklists, along with accountability and feedback tools, too. It’s a brilliant place to nurture and grow your show!

Until recently, in-person smartphone interview kits revolved around this or that cable, splitter, or hack. Don’t get me wrong, there were a few decent options out there, but nothing compared to now.

A few weeks ago, I reviewed the Rode Wireless Micro. Available for either iPhone or Android, this tiny kit was so impressive that it was hard to see us recommending anything else for in-person smartphone recording.

The Wireless Micro costs about $140, which is excellent value for its features, quality, and usability. However, there are even cheaper alternatives, one of those being the BOYA Mini. At only $55, it isn’t fair to expect the BOYA Mini to be the Wireless Micro’s better, or even, its equal. But how close does it get? Let’s take a look.

A quick heads up before we dive in to say that we use affiliate links in this review, which help support all of our free content. Fear not, though; affiliates never cloud our judgment when it comes to giving our honest opinions.

Use Cases: Who Would Want One?

The BOYA Mini, like the Rode Wireless Micro, is designed for folks who want to record directly into their phones.

Both kits are ideal for video podcasters, or creators who like to do on-location or on-the-go interviews and co-hosted chats.

This isn’t the sort of setup you’d typically use if you plan to do remote recordings on your computer. I mean, you could, but I’d opt for something a bit more suited instead.

BOYA Mini Vs Rode Wireless Micro

Key Similarities

• Both kits have two transmitters (mics) and one receiver
• Both are available for iOS (Lightning) and Android (USB-C)
• Both have handy little storage/charging cases
• Both have a transmission range of up to 100 metres
• Both have a Frequency Range of 20 Hz – 20 kHz

Key Differences

• $140 (Rode) Vs $55 (BOYA)
• Signal-to-Noise: 73dB (Rode) Vs 80dB (BOYA)
• The Wireless Micro receivers attach to clothing with magnets
• The BOYA Mini has built-in Noise Reduction buttons
• The BOYA Mini has ‘AI Voice Changing’ features
• The BOYA Mini case is smaller and lighter
• The BOYA Mini transmitters are smaller and lighter
• The BOYA Mini transmitters have a battery life of 6 hours (30 hours via charging case)
• The Wireless Micro transmitters have a battery life of 7 hours (21 hours via charging case)

Does the BOYA BY-V2 Win Out Anywhere?

Actually, yes. At least according to the tech specs of both bits of kit.

The BOYA Mini is said to have a Signal-to-noise ratio of 80 dB, better than the Wireless Micro’s 73 dB. SNR measures how loud the signal (voice) is compared to a system’s background noise level. It also has noise reduction settings built-in.

The BOYA Mini charging case and mics are also smaller and lighter. The transmitters (weighing only 5g!) will be even more discreet on clothing, for anyone recording video content.

Any Downsides of the BOYA Mini?

On the flip side, there are a few potential pitfalls worth highlighting.

Unclear (& Unhelpful) Settings

Both transmitters and the receiver have “NR” (Noise Reduction) buttons on them. I don’t know why all three need to have them, but they’re used for everything the kit does, including pairing and adding voice change effects.

Let’s cover that first, because this is, frankly, a daft feature to add to an otherwise promising kit. If you press the NR button twice, you begin to toggle through vocal effects that will make you sound like a chipmunk or Barry White. Just what you’ve always wanted for your next podcast recording, eh?

There doesn’t seem to be much or any indication that you’ve changed your voice, and the only way to find out for sure is to listen back to your recording. I don’t know how easy it would be to accidentally press the NR button twice and activate chipmunk mode, but I’ll go out on a limb and say it wouldn’t be impossible.

There seem to be two different LED light colours, but as there are three settings, that won’t tell you much. And, as a hopelessly colour-blind person, I despair when gear companies try to give me essential information via tiny dots of colour.

Noise Reduction

The above issues impact the Noise Reduction features. Three settings (Weak, Medium, and Strong) can be toggled by pressing the NR button once. Again, I don’t really know which setting I am using, and I’m now worried that I’ve applied a “funny” voice effect to my guest, but won’t find out until later on.

Sadly, it’s difficult to judge the quality of the Noise Reduction settings, because it’s hard to know which is which.

Potential Connection Issues

I couldn’t connect the receiver to my battered old iPhone without removing the protective case. This would be a bit of a pain if I were using the kit regularly.

I have no issues connecting the Wireless Micro with the phone case on. This is weird because, when I look at both Lightning connectors, there is no noticeable difference, as far as I can see. But, it is what it is, I suppose.

Conclusion: BOYA Mini as a Rode Wireless Micro Alternative

The BOYA Mini makes wireless smartphone audio accessible for anyone looking to do on-the-go recordings or video podcasts.

The audio quality is solid, especially for aspiring, new, and hobbyist creators – you just need to be very careful not to activate the (pointless) voice change settings, which could ruin an entire recording session.

Having to take the phone’s protective case off to get the receiver to work is a real downside. I had a quick look on Amazon, and it seems I wasn’t the only one who had this issue. Maybe the USB-C version is easier to connect than its Lightning counterpart?

In all, the BOYA Mini isn’t the equal of the Rode Wireless Micro, but at way less than half the price, it has a very good stab at it. If you plan to record video or on-the-go, on-location recordings, then this is definitely a worthy option to consider!

Why is a Good Podcast Microphone Important?

It might seem obvious, but it’s a question worth asking – Why bother investing in a good podcast microphone at all?

However you record, there’s no denying that a podcast recorded on a decent-quality microphone is massively more professional than someone blabbering away on a tinny headset mic.

After all, it’s the mic that captures your voice and translates it from physical sound waves into digital bits and bytes.

Just to let you know, all of the product links in this article are affiliate links. That means we get a small commission if you buy anything, but it doesn’t cost you any extra. Don’t worry; we’re always honest, open, and impartial with our reviews – we only recommend the good stuff – but this affiliate income helps us keep the site running.

Should I Choose an XLR or USB Microphone?

XLR and USB simply refer to the type of cable a mic plugs in with. XLR mics are considered to be the more professional, but many USB mics are good enough to go toe-to-toe with them these days. If you buy an XLR mic you’ll need some additional kit (like a USB Audio Interface, Mixer, or Podcast Recorder) to run it into, whilst USB mics work right out of the box. Some podcast microphones actually do both, though, so you can have the best of both worlds!

Should I Choose a Dynamic or Condenser Mic?

The terms “Condenser” and “Dynamic” refer to two different ways microphones are built, and function. Both types of mic have their potential pros and cons. Dynamic mics are often more durable and can handle high volumes without distortion. Condenser mics, on the other hand, are often capable of recording a more crisp and detailed sound. These are broad generalisations though, and there are always exceptions. Here’s our full guide to Condenser Vs Dynamic Mics in Podcasting for a deeper dive on the subject.

Best Podcast Microphones for All Budgets & Prices

We’ve organised this Best Podcast Mics roundup by cost to make your choice as easy as possible.

Budget Level Podcast Microphones for Under $100

A good podcast microphone can cost hundreds of dollars, but luckily, there are many more affordable options.

Don’t let the term “Budget Level” put you off – I only recommend good quality kit! These are relatively cheap, though, and very easy to set up, so they’re well-suited for beginners. But, I know many a veteran podcaster that still uses this kit, even years down the road.

1. Samson Q2U

• Average Cost: $70 (check prices on Amazon)
• Connection: XLR & USB
• Function: Dynamic
• Pros: Our favourite podcast mic of all time
• Cons: Can be difficult to buy in certain regions

The microphone that I often recommend people start off with is the Samson Q2U. This is a really versatile little beast, being both XLR and USB. It’s also a significant quality increase over a cheap headset mic or your internal microphone.

The dual output (XLR & USB) means that you can plug it directly into your computer via USB, recording to Garageband or Audacity. Or, use that USB mic to run an online call with remote guests.

Then later on in your journey, when you get yourself an audio interface or a decent digital recorder, you can change to XLR. The other benefit of the Q2U’s dual output is that you can easily back up your recordings. This means even if one device crashes or runs out of batteries, you’ve still got a copy of your session.

2. ATR2100x

• Average Cost: $50 (check prices on Amazon)
• Connection: XLR & USB
• Function: Dynamic
• Pros: Almost identical to the Samson Q2U
• Cons: Similarly, availability can vary depending on your region

An alternative, and very similar mic, is the ATR2100x. There’s not much to tell between the two, and it all comes down to availability. Depending on where you are in the world, one might be easier to find than the other.

These mics are ideal for heading out and about, capturing live audio interviews.

3. The MXL990

• Average Cost: $70 (check prices on Amazon)
• Connection: XLR
• Function: Condenser
• Pros: Great audio quality at a very low cost
• Cons: Quite fragile, and needs a boom arm to mount it

The MXL990 was the first condenser mic that I owned, and I loved it. I used it for all of my recordings for about two years. It’s ridiculously good value at about $70 and it was worth every penny at the time. Even though it’s a condenser, it was decent in a normal office room, not picking up too much of the room noise. So this is a good choice if you have a reasonably quiet space, and you’re looking for a rich sound on a budget.

4. The Blue Snowball

• Average cost: $45 (check prices on Amazon)
• Connection: USB
• Function: Condenser
• Pros: Nice looking mic at an affordable price
• Cons: Not the best sound quality

The Blue Snowball is an old and famous piece of kit. It, alongside its bigger (and better) brother, the Blue Yeti, is ubiquitous in the world of podcast microphones. There’s no getting around it that you’ll find better audio quality in any other mic mentioned here, but the Snowball’s unique look and cheap price point still make it an appealing option for some hobbyist podcasters.

5. The Shure SM58

• Average Cost: $99 (check prices on Amazon)
• Connection: XLR
• Function: Dynamic
• Pros: Almost indestructible
• Cons: If you’re bothered about aesthetics, this looks more like a “musician’s mic” (predominantly, it is!)

I have to mention the workhorse that is the Shure SM58, just in case you’re looking for a high-quality podcast mic that’s more mobile.

The SM58 is a handheld mic more commonly spotted at music events, usually in the hand of a screaming lead singer. It can be dropped, pounded, drowned and still survive. It also has a built-in pop filter. The SM58 is perfect for anyone that’s looking to do more out-and-about recording than in-studio.

We use the Shure SM58 along with a Zoom H5 or Zoom H6 recorder for all of our in-person interviews (find out more about the setup here). If you think you’d like to take your mic on the road and can budget for a good digital recorder too, then this could be the choice for you. It’ll work just as well in the studio, mounted on a stand, for when that’s called for.

6. The Audio-Technica 2020

• Average cost: $99 (check prices on Amazon)
• Connection: XLR (USB version available, too)
• Function: Condenser
• Pros: Great vocals at a budget price
• Cons: Requires additional gear

A new addition to this best podcast mics roundup, but certainly not a new mic. The Audio-Technica 2020 is twenty years old, but it still more than holds its own in 2024. With the XLR version, you’ll need some sort of interface or recorder to run it through, as well as a stand or boom arm. But at only $99, this mic is tremendous value for money. Our AT-2020 review focuses on the XLR model but a USB alternative is available, and you can buy the mic in a “podcasting pack” with additional gear, too!

Mid-Range Podcast Microphones: $100-$200

These microphones are all you need for podcasting up to six or seven-figure audiences. They are also within the normal podcaster’s budget, and provide great quality recordings to boot.

7. Rode Wireless Micro: Best Smartphone & Video Podcast Option

• Average Cost: $140 (check prices on Amazon)
• Connection: Lightning, USB-C
• Function: Condenser
• Pros: Brilliant pocket-sized smartphone audio
• Cons: Smartphone recording isn’t for everyone

We’ll come across the Rode Wireless Pro in the Premium Podcast Mics section. But here’s a ‘cheaper yet still brilliant’ alternative: The Rode Wireless Micro.

The kit idea is the same: you have two wireless transmitters (the mics) that connect to your clothing and the clothing of your guest or co-host. None of that crude clip nonsense, either. We use magnets here!

Then, you have a receiver that plugs into your smartphone. Depending on your device type, you can buy the Android or iOS model.

This is an amazing kit for video podcasting and on-the go interviews. Read our Rode Wireless Micro review for the full lowdown.

8. The Rode Podcaster

• Average Cost: $170 (check prices on Amazon)
• Connection: USB
• Function: Dynamic
• Pros: Essentially the Rode Procaster, in USB form
• Cons: Needs a boom arm

The price of the Rode Podcaster definitely creeps up a little when you include stands and a shock mount, but you’ll notice a significant difference if you compare it directly with any of the entry-level microphones above. This is what we use in our podcasting studio right now.

If you like the look of the Rode Podcaster, but would rather opt for an XLR mic so you can plug it into things like mixers or digital recorders, then check out its sister mic – the Rode Procaster.

9. The Blue Yeti

• Average Cost: $130 (check prices on Amazon)
• Connection: USB
• Function: Condenser
• Pros: A nice-looking mic on its own stand
• Cons: Easy to use incorrectly

Whilst the Rode Podcaster is a Dynamic, this next one is a Condenser. The Blue Yeti is one of the most popular USB podcast microphones in the world, and it comes in at around $130.

The Blue Yeti offers great quality audio thanks to its condenser capsules. It’s also amazingly easy to use with a plug and play USB connection.

One of its biggest advantages, though, is its range of polar patterns. The Yeti offers settings for solo recording, two-person face to face recording, and group recording. So, it’s flexible and can adapt to just about any situation. For best quality sound, you need to be quite close to the mic, so prepare to get pretty cosy when you’re recording two people or groups.

Lastly, the Blue Yeti comes with its own stand, so it’s a good mic if you want to jump in at the high-end and not have to worry about additional kit. Click here for more info about the Blue Yeti and its various accessories.

The Yeti might not quite match the MXL990 or the Rode podcast mics for sheer quality, but the ease of use and the fact that it’s entirely standalone make it a really serious choice at this level. See our Blue Yeti review for the full lowdown.

It’s also worth mentioning that, in late 2019, the Blue Yeti X was released. This model offers a few upgrades to the original, such as higher recording resolution and an additional condenser capsule. Whilst these are nice technical improvements, the difference in audio quality will unlikely be noticeable to most podcast listeners. That said, as a podcaster, you might prefer the Blue Yeti X over its predecessor due to its improved sleek design.

10. AKG Lyra

• Average Cost: $150 (check prices on Amazon)
• Connection: USB
• Function: Condenser
• Pros: One of the best-sounding USB mics out there
• Cons: Limited availability

The AKG Lyra is a strong competitor to the Blue Yeti, in that it has very similar features, from polar patterns to an in-built stand.

To my ear, it actually sounds better than the Yeti, but it can be harder to pick one up, depending on where you are in the world. If they are available in your region, and you’d like to find out more, then have a read of our full AKG Lyra review.

11. Sennheiser Profile

• Average Cost: $130 (check prices on Amazon)
• Connection: USB
• Function: Condenser
• Pros: Intuitive controls and small size
• Cons: Reported setup issues

The Sennheiser Profile is an excellent microphone for those looking to take their spoken-word audio a little more seriously without shelling out for a more professional setup. It looks and sounds great, the controls are intuitive, and the small size, even if fiddly at times, means you don’t need a lot of desk space for it.

That said, our reviewer Dev did report some setup issues in their review – “Even with the workaround I used for recording, I couldn’t get the mic working with OBS as either input or output. While I’m aware this could be a computer/software issue, the ‘plug-and-play’ ethos of microphones like these imply it should work right away with no problems, and that was not my experience in this case.”

12. PreSonus Revelator Dynamic

• Average Cost: $145 (check prices on Amazon)
• Connection: USB
• Function: Dynamic
• Pros: Works well in less-than-ideal conditions
• Cons: A little pricey for a USB mic

The PreSonus Revelator Dynamic is a mic built with two common podcasting problems in mind – background noise and reverb. That isn’t an excuse to rely on tech to fix poor-sounding and ill-prepared environments, but it’s great backup if you struggle to find a consistent or permanent space to record your show. It isn’t the cheapest option out there, considering it’s USB-only, but its forgiving audio features will make it an appealing option for many.

13. PreSonus PX-1

• Average Cost: $130 (check prices on Amazon)
• Connection: XLR
• Function: Condenser
• Pros: Great podcast mic for recording voice
• Cons: Needs a well-treated environment

The PreSonus PX-1 is perfect for anyone looking to own a Large Diaphragm Cardioid Condenser Microphone without breaking the bank. You’ll want an above-average recording environment for this one, so better to opt for something like the Q9U (below) or the Shure MV7 if you tend to podcast from inside the broom cupboard. See our review of the PreSonus PX-1 to get the full lowdown on this great podcast microphone.

14. Samson Q9U

• Average Cost: $120 (check prices on Amazon)
• Connection: XLR & USB
• Function: Dynamic
• Pros: Versatile, plugs straight into computer, or, into interface or digital recorder
• Cons: Needs a boom arm

We talked earlier about the Samson Q2U. A newer mic on the market is the Samson Q9U which, like the Q2U, can be used in both USB and XLR form. The Q9U sounds better than the (already good sounding) Q2U and doesn’t cost that much more, either!

Samson Q2U Review: Is This (Still) the Best Microphone for Podcasters?

Read article called: Samson Q2U Review: Is This (Still) the Best Microphone for Podcasters?

15. The Rode NT1-A

• Average Cost: $199 (check prices on Amazon)
• Connection: XLR
• Function: Dynamic
• Pros: A low-noise microphone
• Cons: Not an overly-durable build

The Rode NT1-A popped up as a surprise entry in our Gear Stats Survey a couple of years ago. It turned out to be the most popular high-end podcast microphone amongst our respondents. It’s not surprising, really, when you hear the quality it offers, combined with a relatively low price for a mic at this level. You can usually pick one up new for around $200.

The NT1-A is a super-low noise XLR microphone, with a really rich sound behind it. The pack comes with a shock mount and a pop filter, so all you need is a mic stand and a recorder, audio interface, or mixer to get it up and running.

Fans of the Rode NT1-A might also be interested in the Rode NT-USB and the Rode NT-USB Mini. You can plug multiple NT-USB Mini mics into your computer at the same time and record them in multitrack using Rode’s free Connect software.

Premium Podcast Microphones for Over $200

At this level, we’re starting to look at some serious cash. These are microphones that wouldn’t look out of place in a professional recording studio. These are probably overkill for most podcasters, even if you’re broadcasting to millions. Take Tim Ferriss, for example – millions of downloads per episode and still mostly recording on an ATR2100 or an SM58, last time I looked.

16. The Shure SM7b

• Average Cost: $380 (check prices on Amazon)
• Connection: XLR
• Function: Dynamic
• Pros: One of the highest-quality podcast mics out there
• Cons: Needs a strong preamp to optimise it

The Shure SM7b is a legendary mic in the industry. It’s one that discerning audiophiles hold in great esteem. And yes, it does indeed live up to the hype.

But one barrier to using the SM7B (aside from the price) is that it needs a strong preamp to get the most out of it, so you’ll likely need to invest in additional gear and add extra components to your setup.

Presuming you can do that, though, and you can afford the cost, this is one hell of a microphone.

17. The Shure SM7db

• Average Cost: $500 (check prices on Amazon)
• Connection: XLR
• Function: Dynamic
• Pros: Like the SM7b, but with a built-in preamp
• Cons: Costs even more than the SM7b

Shure recently built a solution to the SM7b preamp problem called the SM7db. This mic is essentially the legendary SM7b with its own preamp built-in, offering users up to +28 dB of gain at the flick of a switch. The SM7db costs more than the SM7b, but it gives you the freedom of being able to run it through a much wider variety of audio interfaces. Check out our full Shure SM7db review for the lowdown.

18. The Shure MV7+

• Average Cost: $280 (check prices on Amazon)
• Connection: XLR & USB
• Function: Dynamic
• Pros: Similar to the SM7b, but cheaper and more versatile
• Cons: Not the strongest of signals when used in XLR form

The original Shure MV7 – marketed as offering “perfect sound in imperfect rooms” – quickly became one of the most popular podcast mics. Nevertheless, Shure saw fit to update it in 2024 with their release of the MV7+. Just like its predecessor, it works as both a USB mic AND an XLR mic, so you can plug it directly into your computer, or, via a USB audio interface or digital recorder. If you’re intrigued, check out our review of the Shure MV7+ to find out more.

19. Shure MV7i: It’s also an audio interface!

• Average Cost: $349 (check prices on Amazon)
• Connection: USB
• Function: Dynamic
• Pros: Plug a 2nd XLR mic in, and it becomes an audio interface
• Cons: Need a 2nd mic to run it as an interface

Whilst the overall quality of podcast mic options has never been higher, genuine innovation is hard to come by. Sometimes, it seems like everything has already been done.

However, Shure really pulled off something unique with the MV7i. It’s a USB mic based on the aforementioned MV7+, but it has an XLR OUT jack on it.

XLR OUT doesn’t mean you can use it as an XLR mic – it means you can take any XLR mic you have, plug it in, and run it into the MV7i as if it were a USB audio interface!

This is a really cool way to give you options for a two-mic setup without needing additional gear. And, being based on the MV7+, it can work well as a standalone mic, too!

20. Rode NT1 5th Gen

• Average Cost: $250 (check prices on Amazon)
• Connection: XLR/USB
• Function: Dynamic
• Pros: 32-bit float digital output makes it “unclippable”
• Cons: 32-bit floating only works in USB form.

A new kid on the block from gear giants Rode, the NT1 5th Gen works as both a USB and XLR microphone. One of the standout features of this mic is the ability to work with a 32-bit float digital output if used in USB form. Whilst that term might not sound very exciting, it basically means that the mic is “unclippable”. As Rode say themselves, this is “a revolutionary recording format that allows you to record everything from a whisper to a scream, the softest guitar to the loudest drummer without having to worry about setting your gain – simply adjust your audio after recording and all the dynamics of your performance will be maintained, with zero risk of clipping or distortion.”

Check out our Rode NT1 5th Gen review for the full lowdown and some sound samples.

21. Apogee HypeMic

• Average Cost: $350 (check prices on Amazon)
• Connection: USB
• Function: Condenser
• Pros: Built-in Compression features
• Cons: Very expensive for a USB-only mic

The Apogee HypeMic boasts built-in Compression tools, giving you the ability to boost and level out your voice without the need to do it in software in post-production. However, our reviewer Sarah described these settings as “hit or miss” for podcasters. Overall, this is still a good mic, but at this price point, you’d hope it would be!

If you have $350 to spend on a mic, then your money will go a lot further with something like the Rode NT1 5^th Gen or the Shure MV7. In fact, both are $100 cheaper and will work in XLR form, as well as USB.  

22. The Heil PR40

• Average Cost: $375 (check prices on Amazon)
• Connection: XLR
• Function: Dynamic
• Pros: Premium sound quality, even in less-than-ideal environments
• Cons: Hard to justify the price

The Heil PR40 is touted by many high-level showrunners as the go-to podcast mic for anyone who wants the best sound they can get. I won’t deny it’s a good microphone, but I will say it’s a bit overhyped.

The sound quality is good, and, being a dynamic mic, it’s a great fit for the non-professional environments most of us are recording in. So, if you can get your hands on one to test it out, either borrow or on sale and return, then definitely give it a try.

23. The Electro-Voice RE20

• Average Cost: $450 (check prices on Amazon)
• Connection: XLR
• Function: Dynamic
• Pros: Amazing sound quality
• Cons: Extremely expensive

The Electro-Voice RE20 is a mic with a very loyal following… If you know an Electro-Voice fan, you’ll know this to be true!

The EVs are certainly amongst the best microphones in podcasting, or the world of audio in general!

Those who love the EV speak fondly of its rich tones, depth, and resonance. There’s a body to the recordings that’s as memorable as it is undefinable.

You’ll pay for this sound quality, of course. The EV microphones are NOT cheap. But they’re world-class equipment and justify the cost. If you’d like to read more about the mic, and hear some samples, then you can read our Electro-Voice RE20 review here.

The RE20 also has a little cousin in the form of the EV R320 – not a mic we’ve managed to test ourselves before, but a few people we know use it and speak highly of it!

24. Rode Wireless Pro

• Average Cost: $430 (check prices on Amazon)
• Connection: USB, DSLR, Smartphone, & more
• Function: Condenser
• Pros: Gives you a lot of kit, and a lot of options
• Cons: Costly, and unnecessary for most podcasters

The Rode Wireless Pro is Rode’s premium wireless option, succeeding the Rode Wireless Go and Wireless Go II.

This is more a full kit than “a mic” – you actually get four mic options in the box. You can record directly into the two transmitters, or, plug in the two included Rode Lavalier II mics instead.

The receiver can plug into pretty much anything, from your phone or computer to a DSLR camera. It receives (the clue is in the name) the audio from the transmitters, but the transmitters themselves can both independently store over 40 hours of audio.

The kit has a “safe” range of up to 260 metres. In our Rode Wireless Pro review, you’ll find out more about that distance, including the fact that it’s longer than a row of eight blue whales. This makes it an ideal kit for podcasters who record on the move in varying environments. But, by contrast, it isn’t something you’ll need if you record in the same room each week.

25. Rode Interview PRO

• Average Cost: $249 (check prices on Amazon)
• Connection: USB/Wireless/Standalone
• Function: Condenser
• Pros: Brilliant portable handheld mic
• Cons: Needs a Rode transmitter (not provided) to use it in its wireless form

The Rode Interview PRO is the latest from a long offering of quality Rode mics that are perfect for podcasters. If you love the thought of roaming an event or conference, mic in hand like a sports reporter, then the Interview PRO could be perfect for your needs. It has on-board recording so no cables are needed, though to transmit your audio on a wireless basis you’ll need to own a compatible Rode transmitter, which isn’t included with the mic. Check out Sarah’s Rode Interview PRO review for more info.

26. Lewitt RAY

• Average Cost: $350 (check prices on Amazon)
• Connection: XLR
• Function: Condenser
• Pros: Keeps you sounding “on mic” even when you move further away
• Cons: High cost

The Lewitt RAY is one of the most unique mics in this roundup. After all, which other models can boast of having their very own laser built-in? (spoiler – none!).

So, what’s this laser all about? Well, it can keep track of where you are in front of the mic and adjust your sound accordingly if you start getting further away. It can also automatically mute you if you get too far away. These are novel features that can come in super handy in the right circumstances. Check out our full review of the Lewitt RAY for more info.

What Are the Most Popular Podcast Microphones?

According to our 2024 Podcaster Gear Survey (and backed up by previous years’ data), The Blue Yeti is quite comfortably the most popular mic amongst podcasters. This doesn’t make it the best podcast mic (not by a long shot), but you can get good results from it if you use it properly. The Samson Q2U comes in second and is a brilliantly affordable option for almost all new podcasters.

Strengthen Your Setup: Headphones, Audio Interfaces, & Microphone Stands

Podcast microphones don’t work in isolation, and you can use various bits of kit and gear to power, support, or enhance them.

Headphones are a must for any podcaster. Use them for monitoring recordings so that you can hear exactly what’s being recorded, as it’s being recorded. Then, use them to edit and produce your audio, too. Check out our guide to the best podcast headphones for more on this.

If you’re using a digital mic, you’ll need a computer to plug your USB cable into. There’s every chance you already have a computer, but bookmark our best computer for podcasting and best laptop for podcasting guides should you ever need to upgrade.  

If it’s an XLR mic you plan to use, then you can’t plug an XLR cable directly into your computer. Instead, you can buy a USB audio interface to link it all together, giving you greater control, flexibility, and a wider range of options. Depending on the model, you can plug two or more mics into your interface, making them ideal for recording local co-hosts or guests. Some will even include a separate headphone jack for each participant.

Most podcast microphones mentioned here will also be optimal when mounted on a stand or boom arm. Check out our guide to the best boom arms, which offer the most flexible and professional-looking setups for mic mounting and podcast presentation.

Podcast Microphone Polar Patterns

Mic polar patterns are also known as pickup patterns. These are settings which determine the areas a microphone “hears” sound. For example, a cardioid polar pattern will focus mainly on the front of the mic whilst rejecting some sound from around the back. This makes the cardioid pickup pattern ideal for voice recordings, and almost every mic mentioned here either has it by default or makes it available in its range of settings. Check out our full guide to microphone polar patterns to learn more.

Background Noise, Mic Technique, & Sound Quality

It’s not purely about which mic you buy – it’s about where and how you use it. Though there’s nothing wrong with ambient noise, you want to avoid distracting background noise in your podcast, which means optimising your recording space. Make a habit of using your mute button, too, whether that’s built into the mic, or in your recording software. We can edit out and clean up after the fact, but many disturbances don’t need to make it into your recording in the first place.

Mic technique is also pivotal to your audio quality. You want to maintain an appropriate distance, avoid handling or hitting the desk, and use a pop filter if you love to record in close proximity.

Looking for Help With Your Podcast?

Did you know we have courses on all aspects of launching and growing a show over at Podcraft Academy? Not only that, we run weekly Q&A sessions, too, so you can always get the help, advice, and answers that you need!

Quick Question Time: The “Best Podcast Mic For”… FAQ

Here we answer frequently asked questions to help you choose your perfect podcasting microphone.

Best Dynamic Microphone for Podcasting?

For best overall, go Electro-Voice RE20. For best value, go Samson Q2U.

Best Condenser Microphone for Podcasting?

For best overall, go Neumann U87. For best value, go MXL990.

Best Podcast Microphone for Mac?

I’d say the AKG Lyra, but any of these USB Mics will do.

Best Durable Podcast Mic?

It’s got to be the Shure SM58, eh?

Best XLR Microphone for Podcasting?

For best overall, go Electro-Voice RE20. For best value, go Samson Q2U.

Best USB Microphone for Podcasting

For best overall, go Shure MV7+. For best value, go Samson Q2U.

Best Mics for Multiple USB Use

You can run multiple Rode NT-USB Mini mics into the Rode Connect software.

Best Mic for an Echoey Room

The Shure MV7+ and PreSonus Dynamic Revelator can perform well on this front. Always try to sound treat your room as best you can, though.

Best Shotgun Mic for Podcasting

We love the Zoom SSH-6 capsule for the Zoom H6 recorder.

Best Portable Podcast Microphone

The Rode Interview PRO is the best quality overall. But see below.

Best Lavalier Microphone for Podcast

The Rode Wireless PRO or its little brother, the Rode Wireless Micro.

Best Smartphone Microphone

The Rode Wireless Micro, for either Android or iOS.

Best Microphone for Video Podcasting

Again, the Rode Wireless Micro takes the crown.

Best Headworn Microphone for Podcast

The Sennheiser PC 8 USB Headset, but if you already own a good pair of headphones, opt for the Antlion ModMic USB attachment.

Best Omnidirectional Microphone for Podcast

Tricky as you should avoid sharing a mic. Solo-use omnidirectional mics are usually lavaliers like the Rode Wireless Micro.

Best Bluetooth Podcast Microphone

The SmartMike+ is a decent budget option. You can also create a great Bluetooth setup using the Zoom PodTrak P4.

Best Microphone for YouTube

There are so many video variables here, so best to check out our dedicated guide to the Best Microphones for YouTube to find the scenario that best suits you.

Next up in the Quest to Sound Your Best… Recording

Choosing a podcast microphone means you’ve something to record with. But there are a few additional steps in the recording chain.

Using an XLR mic and need something to plug it into? Here are your 3 options…

• Best USB Audio Interfaces
• Best Podcast Mixers
• Best Digital Recorders

And, if you’re recording directly into your computer you might fancy trying out Alitu. Alitu is an all-in-one podcast maker tool that lets you record (solo or remote calls), edit, and publish episodes from directly inside its interface. Alitu does all the production magic (EQ, Noise Reduction, Volume Levelling) for you automatically too, so you can really enhance the sound of your shiny new podcast mic without knowing the slightest bit about audio engineering!

Try Alitu free for 7 days and see for yourself.